Provocative play moving on the thread of the comedy, leading a woman clown to disclose herself in all her aspects: masculine energy, concrete and feminine, passionate, blossoming supported by the art of flamenco. Essential scenic design and items on stage are the red thread in the whole play, continuously turned upside-down in their ordinary nature by the clown’s point of view.
The same point of view that leads the audience in new worlds, those belonging to the body of a woman in all her daring evolutions. Sequence of comic gags where the funny and yet sensitive side of human being comes out. A play where silence is the red carpet with tyres rolling, domesticated by the main character as they were wild circus animals, a play where silence leaves space for reverie and imagination. A story with hilarious and poetic lines, living under the shade on a gigantic coat rack, with all fantasies of a woman hanging on it. A delicate and yet red biting play just like a ROSA is!
Teresa Bruno, actress, clown, theatrical researcher and educator. In 1991 Teresa begins a long training as a gymnast, leading in 1999 to another artistic path, the theatre. Her theatrical education is based on the work of André Casaca, boasting partnerships with many artists such as Lebreton, Gaulier,Lume Brasile, Famiglie Floz, on dance Raquel Hirson Scotti, Sabrina Cunh, flamenco dance Pilar Carmona, with Daniela Soria for the voice and Ida Maria Tosto, singers and pedagogy experts in Gisela Rohmert’s method. In order to examine in depth the Rohmert’s method, she makes studies at the Modai Institute in Torino. Her theatrical experience on stage starts in 2000 with plays like “Death Penalty”, “Eirene’s Dance”, “The Labyrinth”, and from 2005 with the production of “The Vagalume Family”, “Italian Marriage” and in her solo “ROSA”.. She preferring a non-verbal comic language. In 2004/2005 she coordinates international project: “Comic-Relational Education Method”.
